At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue. Hans-Ulrich Obrist artistbigdialogue Change image and share on social
For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. Hans-Ulrich Obrist areaartbring Change image and share on social
My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. Hans-Ulrich Obrist americangreathistorian share on social
I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature. Hans-Ulrich Obrist 21starchitectureart Change image and share on social
To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art. Hans-Ulrich Obrist arthappenhonest Change image and share on social
Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. Hans-Ulrich Obrist artbaseboundary share on social
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. Hans-Ulrich Obrist commissionfestivalfully Change image and share on social
Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone. Hans-Ulrich Obrist ephemeralexhibitionkind Change image and share on social
Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. Hans-Ulrich Obrist centrecenturycity Change image and share on social
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. Hans-Ulrich Obrist artcollectioncontemporary Change image and share on social