Alex Poots has always made a bridge between highly experimental and the mainstream. Hans-Ulrich Obrist alexbridgeexperimental Change image and share on social
For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. Hans-Ulrich Obrist areaartbring Change image and share on social
My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. Hans-Ulrich Obrist americangreathistorian share on social
I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least. Hans-Ulrich Obrist artcuratedisplay Change image and share on social
I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. Hans-Ulrich Obrist agecarrycity Change image and share on social
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti. Hans-Ulrich Obrist afternoonexhibitionfigure Change image and share on social
Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park. Hans-Ulrich Obrist applychoicecurate share on social
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. Hans-Ulrich Obrist commissionfestivalfully Change image and share on social
Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone. Hans-Ulrich Obrist ephemeralexhibitionkind Change image and share on social
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. Hans-Ulrich Obrist 1980sartbeuy Change image and share on social