The disco sound, you must see, is not art or anything so serious. Giorgio Moroder sound art disco Change image and share on social
I would not be happy to do what I do unless I felt that the large audience wanted it. Giorgio Moroder audience happy want Change image and share on social
In pop or rock you can make a fast song or a slow one, but in disco there is really just the one rhythm. Giorgio Moroder make slow pop Change image and share on social
I am certainly not racist; I even like the British. Giorgio Moroder british racist Change image and share on social
I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal. Giorgio Moroder listen sound disclosure share on social
Every business is there to make money, and making a record is business. This tends to be forgotten by many. Giorgio Moroder forget business record Change image and share on social
One of the most interesting things, at least for me, are the soundtracks for 'The Social Network' and 'Drive.' Basically, it's what I did in 'American Gigolo.' I could have done the music for those movies blindfolded. And one of them won an Oscar, and the other is this massive soundtrack. Giorgio Moroder oscar american blindfold share on social
A producer is always behind the scenes, even more in the movies - nobody sees you. I didn't even meet most of the actors. When I worked on 'Top Gun,' I never met Tom Cruise. You were always in the background. Giorgio Moroder see work scene share on social
In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the director would agree with a composer to write that kind of sound. Giorgio Moroder god love agree share on social
Even when disco went out, I could still make hits. Once I had so much success, every idea became concentrated. I had so much confidence. I knew how the bass should sound, what rhythms would work. The tempos I knew: 110 to 120 BPM. I knew they would dance in the clubs in New York or anywhere. Giorgio Moroder sound disco hit share on social