Fiona McIntosh

Fantasy was something I'd read as a child. And, in fact, my teachers despaired a little bit because I refused to give up Enid Blyton. Then I walked through the wardrobe with C. S. Lewis, and I don't think I actually have returned fully from the wardrobe. So, fantasy was something that was in my life from quite young.

When I first decided I was going to have a go at writing a book - and really, it was a mid-life crisis - I was 39. I was in business with my husband; we had a very busy lifestyle and quite a hectic schedule running this flourishing business in travel, and I found myself waking up and realising that I didn't want to do this anymore.

For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.