Top 44 Quotes by Feist

I once looked over the shoulder of a friend on Facebook and it looked like hieroglyphs to me. There's merit online, of course, but social media gets super freaky. Imagine if three generations from now, people online have forgotten what date or day of the week it is.

When you say something or sing something enough times, it becomes a self-fulfilling prophecy. It's almost like casting spells. I don't mean necessarily in the flighty, 'I'm going to go buy a cloak with a hood now' way.

The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.

The idea of having one ensemble do everything is what was on 'Sea Lion' and that's what I tried to make happen for 'Metals,' which is having five people in the room and all of us contributing equally to every arrangement and every song.

Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.

When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt like a punk song. I mean it's ridiculous to say that now, but it had that kind of, like, piercing straight melody. And then this fist-pumping ending, you know that pa-dap-pada.