Eric Schneiderman

Personally, speaking as a historian and a storyteller, when it comes to inaccuracy in historical fictioneering, I follow the Shakespeare principle: I'm willing to overlook gobs of mistaken detail if the poetic valence is basically correct.

I mean there are many, many people in all sorts of different countries who don't have a great life, who are subject to injustice. Are we obliged to take all of them who come here? I think the answer is 'Not necessarily.'

A lot of people give actors credit when they gain weight for a role in a drama when they win an Oscar, but when you're doing a sitcom, people don't give you a lot of credit, because you've got to keep your weight on for five or six years if it's successful.