Every so often, you want to map out your plot mythology but never so specifically that you can't let a story surprise you. You want to allow the type of action of the writer's room so that you have the ability to take a left turn. Eric Kripke abilityactionleave share on social
It's hard asking someone with a broken heart to fall in love again. Eric Kripke breakfallhard Change image and share on social
I'm not a fan of endless mystery in storytelling - I like to know where the mythology's going; I like to get there in an exciting, fast-paced way - enough that there's a really clear, aggressive direction to where it's going, to pay off mystery and reward the audiences loyalty. Eric Kripke aggressiveaudienceclear share on social
When you start a show, the plans are not set in stone. They're really mutable, cocktail napkin sketches. Eric Kripke cocktailmutablenapkin Change image and share on social
People simply don't make eye contact anymore. Eric Kripke anymorecontacteye Change image and share on social
I like to tell stories that have beginnings, middles and ends. Eric Kripke beginningendmiddle Change image and share on social
I've had a lifelong obsession with urban legends and American folklore. Eric Kripke americanfolklorehave Change image and share on social
People pitch me the crazy mystery mind-blowing thing all the time. My response is, 'Great, but how do the characters feel about it, and how do we reveal new facets and new dimensions of who they are?' Eric Kripke blowcharactercrazy Change image and share on social
If I had a worldview, and I don't know if I do, but if I did, it's one that's intensely humanistic. Eric Kripke humanisticintenselyworldview Change image and share on social
Mythologies become exhausting burdens, from a writer's perspective. Eric Kripke burdenexhaustmythology Change image and share on social
