Elizabeth Hand

I was a tomboy as a kid - I was skinny and had cropped hair and was often mistaken for a boy - and up until I was about six, I had my own very fluid ideas of gender in that I believed that, somehow, an individual could choose whether or not s/he wanted to be a boy or a girl.

I read '1984' at a precocious age, like 8, and when I did the math, I realized that Julia, Winston Smith's lover, was born the same year I was, 1957. I read that book over and over again with the 1960s as a backdrop: anti-war and anti-bomb protests and this general pervasive sense of doom.

I didn't read much SF as a kid - I was a total Tolkien geek - but I started reading Samuel Delany and Angela Carter and Ursula LeGuin in high school, and I was definitely taken with the notion that here was a literature that could explore various notions of gender identity and how it affects the culture at large.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

I kind of stumbled into acting, even though I've always been fascinated by people and kind of their motives, and it's been amazing to me, everything I read before about psychology, philosophy, just to put it into practice somehow.