Elizabeth Gilbert

You know, I think that allowing somebody, one mere person to believe that he or she is like, the vessel you know, like the font and the essence and the source of all divine, creative, unknowable, eternal mystery is just a smidge too much responsibility to put on one fragile, human psyche. It's like asking somebody to swallow the sun.

These days I settle for feeling only 85 percent sure about most things, most of the time. I believe this is keeping me sane, and I also believe that it's keeping me human. In fact, I'm 85 percent sure of it.

My career started young and I was really ambitious, and then I had success and I hung out with people who were much older. I think I might have been temporally misplaced, so I thought I was 40. It was a premature midlife crisis.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.

This was 1978, when flying was still an occasion, a special grand event that took planning and care. I worked as a TWA flight attendant then. I stood in my Ralph Lauren uniform at the boarding door and smiled at the passengers through lips coated with lipstick that perfectly matched the stripe on my jacket. Mostly, the passengers smiled back.