I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise. Doug Liman bondbournecareer Change image and share on social
To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic. Doug Liman believefilmmakerhome Change image and share on social
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters. Doug Liman characterfilmgive Change image and share on social
'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in a big studio film. Doug Liman bigcharacterfilm Change image and share on social
That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits. Doug Liman bournedamonidentity Change image and share on social
I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane. Doug Liman commercialdisciplineefficiency share on social
I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. Doug Liman analyzefaultmove Change image and share on social
Somehow super power and hero are so synonymous that they get combined into one word, 'superhero,' whereas I'm kind of more interested in separating those two ideas out. You have characters with super powers who may or may not be heroic, because human beings aren't all heroic. I tend to be drawn to antiheros. Doug Liman antiherobeingcharacter share on social