I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done. Doug Liman accomplishmentamericagreat Change image and share on social
When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. Doug Liman apartmentaudiencebasically Change image and share on social
It turns out that it's easier to do politics in a movie. People really don't want it in their TV. Doug Liman easymoviepeople Change image and share on social
In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that. Doug Liman bigcanvascharacter share on social
The movie I end up with is the movie I aspired to make. Doug Liman aspireendmake Change image and share on social
A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me. Doug Liman attitudecredibilityindependent share on social
I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoing something I did before. For some reason, when it comes to film, I'm very good at not repeating myself. Even though in the rest of my life, I'm constantly repeating my mistakes. Doug Liman constantlyfilmgood share on social
I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. Doug Liman analyzefaultmove Change image and share on social
It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for. Doug Liman biteinfuriateloose Change image and share on social
That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits. Doug Liman bournedamonidentity Change image and share on social