The movie I end up with is the movie I aspired to make. Doug Liman aspireendmake Change image and share on social
I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise. Doug Liman bondbournecareer Change image and share on social
I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. Doug Liman analyzefaultmove Change image and share on social
It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for. Doug Liman biteinfuriateloose Change image and share on social
That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits. Doug Liman bournedamonidentity Change image and share on social
I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies. Doug Liman actiondumbfilm Change image and share on social
I go into a movie sort of saying what it's not going to be. Doug Liman moviesort Change image and share on social
Finding original source material is not easy, but when something special like 'Edge of Tomorrow' comes along, everybody recognized it. I wasn't swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately. Doug Liman bluntbrotherchoice share on social
What I really found was that the one similarity between 'Covert Affairs' and 'Fair Game' is a deep love and admiration and fascination with the home life of a spy. Doug Liman admirationaffaircovert Change image and share on social
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters. Doug Liman characterfilmgive Change image and share on social