One of the core reasons for creating 'Station to Station' was to provide a space for exploration and cultural friction between different mediums. It should be natural for mediums like music, film and art to cross over, and we wanted to empower that process. Doug Aitken artcorecreate share on social
We're moving into an era when things are dematerialised and much more holographic. Floating above the physical world and the geographic map, there's another landscape that's constantly changing - something like a cloud - of communication, information, exchange and commerce. Doug Aitken changecloudcommerce share on social
We are engaging with so many art forms at once in the 21st century, but we're presented with them in a way that is so isolated. Doug Aitken 21startcentury Change image and share on social
My office has two buildings that function like the right and left sides of the brain. There's a room where everything is being edited for an upcoming project, but you can pull out of that into a tranquil space to work in a different, more solitary medium. It's an architectural unfolding of the process instead of just one chaotic structure. Doug Aitken architecturalbrainbuilding share on social
'Planet Caravan' by Black Sabbath is such a delicate song from such a surprising place. Doug Aitken blackcaravandelicate Change image and share on social
Our culture is not this thing to be seen from a distance. We need to be embracing the friction of it all - that is where the energy is. Doug Aitken culturedistanceembrace Change image and share on social
I always thought about 'Station to Station' as an approach. It was about creating an alternative platform for culture where different mediums could co-exist. Doug Aitken alternativeapproachcreate Change image and share on social
The 'Station to Station' film is a fast-moving journey through the modern creative landscape. It's a kaleidoscope of voices and impressions rather than a standard linear film. Doug Aitken creativefastfilm Change image and share on social
We're living in a tremendously new landscape, and the possibility of what can be created is immense. These tools of the moving image have a relatively short history in art, and what we can do with them is still largely unknown. We are still innovating and finding ways to tell stories. Doug Aitken artcreatefind share on social
I think about museums often. There are things that I want museums to do that they often don't. For me, I like it when there's a system within the museum that can continuously change - whether it's a museum that is nomadic or one that's designed so the building can shape-shift. I like restless spaces, and I want to be engaged. Doug Aitken buildchangecontinuously share on social