Don Ameche

In the old days, before there was such a thing as film schools, directors learned the camera by watching other directors, and learning from their own dailies, and listening to the cameraman, and seeing what would work. Some of those guys could cut their movies in their head.

By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.

My particular pain is that the world of Jewishness that I identify with - the extremely assimilated, educated European and Russian Jews in the 19th and 20th centuries - is lost, and is not mourned enough.