Being a director, whether you're in rehearsal or you're in auditions or you're in a creative meeting, is so much to me about being present in the moment. There's a sense of time stopping. Diane Paulus auditioncreativedirector Change image and share on social
When you're a freelance director, you are hired to create the art, and it kind of stops there. Diane Paulus artcreatedirector Change image and share on social
I give so much of myself to my work; I want to be with people who are going to be there with me. Diane Paulus givepeoplework Change image and share on social
I'm always interested in looking - historically - at how theater can animate history and how all of that can make us engage with our lives in an enriching way. Diane Paulus animateengageenrich Change image and share on social
Theatre and opera were always the twin kingdoms that I felt I had to conquer, because they were my parents' favorites. Diane Paulus conquerfavoritefelt Change image and share on social
I am always looking for what piece, what artists, what playwrights, what directors, what subject matter is going to catalyze an audience. Diane Paulus artistaudiencecatalyze Change image and share on social
In Elizabethan England or classical Athens... theater was at the center of, not culture, but society and politics and religion and civic engagement. Those things have a different audience. Diane Paulus athensaudiencecenter Change image and share on social
Look at where I lived! Four blocks from Lincoln Center. I used to play in the fountain. And then I started taking dance lessons. I was in 'The Nutcracker' for the N.Y. City Ballet when I was 8 and dancing in 'The Firebird' for George Balanchine when I was 9. Believe me, that's something you don't ever forget. Diane Paulus balanchineballetblock share on social
I think actually what keeps the intensity manageable - it's a little counterintuitive - is that it's changing all the time. Every week is different for me. Diane Paulus changecounterintuitiveintensity Change image and share on social
I think every theater in America wants a younger audience... and you can't just hope to have a younger audience, you have to program things that audience is going to connect with. Diane Paulus americaaudienceconnect Change image and share on social