David Wroblewski

When you're making something big, whether it's long-form fiction or a big piece of software, whatever that is, you're having a very intimate and extended conversation with the work materials themselves.

My childhood was spent with dogs, and I work with dogs surrounding me. This relationship is hardly unique - man-and-dog stories date back to ancient history, up to 10,000 years ago - but it feels that way to me. I used to have a love-hate relationship with dog stories because some got the dynamic right but most were dead wrong.

I grew up in the middle of dairy country in Wisconsin, about as far from any major metropolitan area as you can get. I always assumed I was going to be an actor. I don't know why. I didn't have any reason to think that. In fact, when I finally did try it, when I was in college, I was really bad at it and didn't enjoy it.

If a man made himself an expert in any particular branch of human activity, there would result the strong tendency that a peculiar aptitude towards the same branch would be found among some of his descendants.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.