Then is when I decided to take it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book. Dan DeCarlo archiebookcomic share on social
What made me want to go into doing comics was I was working as a laborer with my father, a gardener. Dan DeCarlo comicfathergardener Change image and share on social
I designed all the characters, anyway, and Frank Doyle was doing all the writing. I didn't have any more input on what direction they were going to go with Josie. Dan DeCarlo characterdesigndirection Change image and share on social
I brought samples in, because I didn't have any comic book samples, and I brought all these illustrations that I had influenced by Norman Rockwell and a couple of the other big boys. That's all I had, that's all I brought. Dan DeCarlo bigbookboy share on social
After about twenty issues of Josie, they decided to pay me. Dan DeCarlo decideissuejosie Change image and share on social
That's the problem today: Who is the creator? Dan DeCarlo creatorproblemtoday Change image and share on social
Once publishers got interested in it, it was a year in developing, and it was launched, I think, in 1960. But Willie Lumpkin didn't last long - it only last a little better than a year, maybe a year and a half. Dan DeCarlo develophalfinterest share on social
Then he took me off Jeannie and he gave me Millie the Model. That was a big break for me. It wasn't doing to well and somehow when I got on it became quite successful. Dan DeCarlo bigbreakgive Change image and share on social
There were eleven publishers in New York City, and when it was all over, I think it went down to four or five, and then finally just the three of them, the Big Three. Dan DeCarlo bigcityeleven Change image and share on social
The first book that they gave me was Jeannie, a young teenager. I went on with her maybe ten books. Dan DeCarlo bookgivejeannie Change image and share on social
