Conor Oberst

On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.

Music is like a conversation. One person says one thing that speaks with a harmonica, with a bass, with a drum. They're all conversating, and we're just trying to find a way to make conversation rather than blah, blah, blah. But it's not really so hard a thing to do if you know the way to approach it.