I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what should happen. Colm Toibin fictionhappenideal Change image and share on social
I went to live in Barcelona in 1975, when I was twenty. Even before I went there, I knew more about the Spanish Civil War than I did about the Irish Civil War. I liked Barcelona, and then I grew to like a place in the Catalan Pyrenees called the Pillars, especially an area between the village of Flavors and the high mountains around it. Colm Toibin areabarcelonacall share on social
The only routine I have is that I finish everything I start. I wake up early every day - about 6.30 A.M. - but I do not work every day. I could laze for a day or two, but I wouldn't do it for three. Colm Toibin dayearlyfinish Change image and share on social
You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road. Colm Toibin affectdaydepress share on social
I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and you couldn't write home and tell people, 'Look, I'm really lonely,' because you'd realize how much those letters were going to matter, that you needed to put good news or uplifting news into them. Colm Toibin goodhappenhome share on social
You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that. Colm Toibin arrivebackboard share on social
I have to write a first draft with a fountain pen before I type it up as a second. Colm Toibin draftfountainpen Change image and share on social
'One Minus One' and 'Barcelona, 1975' are more or less autobiographical. Colm Toibin autobiographicalbarcelonaminus Change image and share on social
It may be enough to study history in all its nuance and ambiguity for its own sake. But there is no country free of the need to find new ways of reading the past as an inspiring way of thinking about everything else, including the present. Colm Toibin ambiguitycountryfind share on social
While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone. Colm Toibin attemptdefinegrand share on social