It's true that I'm not cozy. I'm more reserved. Colleen Atwood cozyreservetrue Change image and share on social
On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials. Colleen Atwood apecontinuallygood Change image and share on social
I had to work out that it was something that could move, without having everybody in spray painted leotards. Colleen Atwood leotardmovepaint Change image and share on social
When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture. Colleen Atwood clotheconveydress share on social
I get more distracted by hair or a really bad wig than I do costumes any day of the week. Colleen Atwood badcostumeday Change image and share on social
In Chicago, I walked in knowing what the dancers were going to need. Colleen Atwood chicagodancerknow Change image and share on social
I don't design my own clothes. It's so not what I think about. Colleen Atwood clothedesign Change image and share on social
I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else. Colleen Atwood avoidclothecostume share on social
Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. Colleen Atwood charactercostumeestablish share on social
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit. Colleen Atwood actorcharacterconnection share on social