Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work. Colleen Atwood loveworkdetail Change image and share on social
Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are. Colleen Atwood impressioncostumemouth Change image and share on social
If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story. Colleen Atwood lightbitepush Change image and share on social
One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. Colleen Atwood oldscalepeople Change image and share on social
As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong? Colleen Atwood lovejudethurman Change image and share on social
Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were. Colleen Atwood designbeautyknow Change image and share on social
I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. Colleen Atwood understandwearpeople share on social