I like to treat paint as material - to daub it, drop it, let it slide. There was Action Painting, but I also compare it to paint effects found on the streets. This approach is superimposed on a sculptural surface that is also 'painterly.' Claes Oldenburg actionapproachcompare share on social
I think of a monument as being symbolic and for the people and therefore rhetorical, not honest, not personal. Claes Oldenburg honestmonumentpeople Change image and share on social
A life cycle can be imposed on an object. An object can be very energetic and active, and then it has a dying phase and a phase of decomposition. Claes Oldenburg activecycledecomposition Change image and share on social
If you really want to be an artist, you search yourself, and you find a lot of it comes from earlier times. I have pretty much built the work around my experiences. When I've moved from one place to another, the work has changed. Claes Oldenburg artistbuildchange share on social
Chicago has a strange metaphysical elegance of death about it. Claes Oldenburg chicagodeathelegance Change image and share on social
I am for the art of underwear and the art of taxicabs. I am for the art of ice cream cones dropped on concrete. Claes Oldenburg artconcretecone Change image and share on social
My struggle has been to return painting to the tangible object, which is like returning the personality to touching and feeling the world around it, to offset the tendency to vagueness and abstraction. To remind people of practical activity, to suggest the sense and not to escape from the senses. Claes Oldenburg abstractionactivityescape share on social
'Clothespin' was the first city monument on a large scale that could compete with the architecture around it. Claes Oldenburg architecturecityclothespin Change image and share on social
My single-minded aim is to give existence to fantasy. Claes Oldenburg aimexistencefantasy Change image and share on social