'Psycho' is probably the best known example of a horror film whose exclusive sound was strings, and since then, it's been hard to avoid that. The minute you have strings as your primary voice, the comparisons are always made. Christopher Young avoidcomparisonexclusive share on social
When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening with just me, the wind, and the moon. Your skin crawls up an octave. This is what I tap into when I'm working on horror films. I'm just afraid a time will come when I lose touch with that part of myself. Christopher Young afraidcrawldrive share on social
Film composers are the most prolific music makers on this planet, and most of us are, like, losing our minds if we're doing five or more movies in a year. Christopher Young composerfilmlose Change image and share on social
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film, you're entering into a world where a tradition has been thoroughly established. So it's repeated use over the years is like, 'Oh God, another film with strings, another spooky movie with strings.' Christopher Young careensembleenter share on social
I don't think when I started off that I was expecting to become so specialized, but what happened is that when my career started, I didn't pick my first film. I was picked to do it, and it happened to be a horror film. Christopher Young careerexpectfilm share on social
I'm into horror pictures because I love the fear of being alone in the dark, and I'd recommend that to any composer who wants to work in this genre. Christopher Young composerdarkfear Change image and share on social
Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series. Christopher Young 1930s40salive share on social
Usually when I am approached to do a score for a horror movie, it's to attempt a repeat performance of what I did way back on 'Hellraiser' or 'Jennifer 8' - one of those really orchestral scores. Christopher Young approachattemptback Change image and share on social
People who work in horror know they are contributing to a genre that has always been loved and will always be loved - privately. It's the forbidden evil working behind the curtain. My job scoring a horror movie is like being the barker at a carnival. A good barker can get anyone to walk into the roped-off tent. Christopher Young barkercarnivalcontribute share on social
'Sinister' is the first score I've done in which there's no orchestra in it whatsoever. There are traditional instruments I sampled, then manipulated, so you don't even recognize the source anymore. Christopher Young anymorehaveinstrument Change image and share on social