I've written under the radar for quite some time, and I always looked at editing as writing. Christopher Rouse edithavelook Change image and share on social
When I left high school, my dad was directing a film, and I went to work for him as a P.A. There were two wonderful editors, Bud Isaacs and Bernie Balmuth, working on the project, and every chance I had, I would go to the editing room to watch and learn from them. Christopher Rouse balmuthberniebud share on social
I think I approached 'Captain Phillips' as I would any project. I always try to understand the story, characters, and themes as deeply as possible and then work as hard as I can to make those things come to life. Christopher Rouse approachcaptaincharacter share on social
Everything else - music, cinematography, costumes, design, acting - can be judged at face value. But when you're looking at editing, you don't know what the totality of the material was, and you don't know the working dynamic between a director and an editor - whether the editor was micromanaged or given free rein. It's very difficult. Christopher Rouse actcinematographycostume share on social
If you can depict situations and explore life in a truthful way and explore areas of grey - because that's where the truth lives - and you can do that in an objective way and allow people to take from that what they will, I think it's a satisfying sweet spot with storytelling. Christopher Rouse areadepictexplore share on social
I'm the third generation of my family in the film business, and I grew up with a deep passion for movies. I made my own Super 8 films when I was a kid and always loved the editing process. Christopher Rouse businessdeepedit Change image and share on social
My father always told me that story was first and foremost. We would watch not just his films but a lot of classic American films. My father was a great David Lean fan, and David Lean's one of my favorite directors. We would discuss films endlessly. Christopher Rouse americanclassicdavid share on social