Chris Abani

When I was growing up in Nigeria - and I shouldn't say Nigeria, because that's too general, but in Afikpo, the Igbo part of the country where I'm from - there were always rites of passage for young men. Men were taught to be men in the ways in which we are not women; that's essentially what it is.

My grand uncle was a traditional priest, and he would always say to me as a kid, 'We stand in our own light,' which essentially for him meant we were entirely responsible for a lot of what happens to us and for the ways in which our lives play out.

There is no living African writer who has not had to, or will not have to, contend with Achebe's work. We are either resisting him - stylistically, politically, or culturally - or we are writing toward him.

I watched Ali, studied Ali, and I studied Sugar Ray Robinson. I watched them display showmanship. I watched them use pizzazz, personality, and charisma. I took things from them and borrowed things from them because boxing is entertainment.