Charles Dance

If you get a bad script, then you start expending energy trying to make a silk purse of a sow's ear. When the script's as good as those on 'Game of Thrones,' say, I don't think there was a single occasion where any of us thought there was a bad scene.

I like to be busy. I once shared an agent with the late Sir John Gielgud, who, at 96, was apparently still ringing up, saying, 'Hello, Gielgud here, any work?' Good on him. We've got to keep working. If we retire, there'll be nobody to play the old wrinklies, and that would be a dreadful shame.

If you give me a typewriter and I'm having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry - that will have some emotional clout to it. It doesn't cost much to do that.