Cecile McLorin Salvant

I had a hole in my voice. I still do. We call it a hole, but it's an area in the voice where it's air. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in the middle area, it was really hard.

My dad was born in Haiti, and my mom was born in Tunisia. She is the daughter of a white French woman and a black, half-Guadeloupian, half-American man. My mom traveled the world a lot. She went through Africa, South America, and the Caribbean. She just got to experience a lot of different cultures, and that came through my childhood.

Jazz in the 1920s and '30s was dance music, teenage music for parties, for being wild and young. There's this punk feeling I really love. It was something so radical and different and new and not codified. People didn't have a definition of what they were doing.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

I go for all sharing the privileges of the government, who assist in bearing its burdens. Consequently, I go for admitting all whites to the right of suffrage, who pay taxes or bear arms (by no means excluding females).

The importance of heart health became very real for me when my father died of heart disease seven years ago. Having experienced the loss first hand, I am inspired to do everything I can to break the cycle and prevent families from losing loved ones to this preventable disease.