Carrie Preston

I think that in order for anything to work on television, you have to have conflict. Nothing can be too happy or it's boring. People don't want to watch that - they want to watch things that are exciting and dangerous and sexy and have tension.

'Emeril' came on the air right when a new president of NBC was taking over, and there was just a big shift going on. And then 9/11 happened, and that really pretty much killed it, because the show was already having a hard time finding an audience. I don't regret it. I had a really good time.

I'm a character actor and I get lost in these characters, so I think it's only recently that people have begun to connect dots and go, 'Oh, that's the same person that did this, this, this, this and this!' which I take as a compliment. One time somebody called me an illusionist, and that was the nicest thing anyone has ever said.

Watching yourself on screen is always a little weird, but I didn't cringe when I saw myself on 'The Hour.' It actually exceeded my expectations; every shot looks like a vintage postcard and even my most brutally honest friends have said they think it's good.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.