Camille Paglia

It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.

It is really no surprise that, in a media world that has been so compromised by an invasion of political partisans and inarticulate airheads with communications degrees, a fake journalist can seem more trustworthy than the real thing.