Top 13 Quotes by Bridget Riley

In my earlier paintings, I wanted the space between the picture plane and the spectator to be active.

An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict.

Painters have always needed a sort of veil upon which they can focus their attention. It's as though the more fully the consciousness is absorbed, the greater the freedom of the spirit behind.

There was a time when meanings were focused and reality could be fixed; when that sort of belief disappeared, things became uncertain and open to interpretation.

His failures are as valuable as his successes: by misjudging one thing he conforms something else, even if at the time he does not know what that something else is.

I used to build up to sensation, accumulating tension until it released a perceptual experience.

Focusing isn't just an optical activity, it is also a mental one.

Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.

I think this lack of a center has something to do with the loss of certainties that Christianity had to offer.

As the artist picks his way along, rejecting and accepting as he goes, certain patterns of enquiry emerge.