Bill Hader

When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.

My wife and I were on our honeymoon in Turks and Caicos, in the middle of nowhere, and I'm sitting on this deserted beach, and I see one lone person walking along the shore. He walks right up to me and says, 'I love 'Laser Cats,' and then just walks away.

It doesn't occur to me that I don't drive a cool car until I hang out with Jon Hamm, who picks me up in what looks like a Transformer, and I think, 'Oh, that's what movie stars are driving. I guess I'm not a movie star.'

In sharp contrast to the idea that this stage of life is enviable, we hear high levels of anxiety about getting old, anxieties about health, mobility, access to facilities, simple routine care and attention.

Though builders may build, in the main they follow the plans of architects. Teachers teach, but they must have a text. Politicians govern, but only upon the flow of commentary that raises them up or casts them down.

When I first started writing comics, in the way-back days, Typhoid Mary was my explosive response to women characters in comics - I made her an innocent virginal type, a clever, dark, liberated woman, and as Bloody Mary, a feminist bent of punishing men - all in one character. She was an instinctual rather than a calculated creation.