Bill Hader

When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.

My wife and I were on our honeymoon in Turks and Caicos, in the middle of nowhere, and I'm sitting on this deserted beach, and I see one lone person walking along the shore. He walks right up to me and says, 'I love 'Laser Cats,' and then just walks away.

I moved out to L.A. to be a filmmaker or director. I didn't even think about doing comedy or even acting. I wanted to be like Paul Thomas Anderson or Wes Anderson, but I wasn't going to a lot of comedy.

What a piece of garbage this smart car is. There's a commercial - the smart car has zero percent interest for six years. Well, good, I got zero percent in six years in buying this smart car. I'll tell you that much. I mean, it's ridiculous. My buddy has a smart car, totaled it. He hit a deer tick.

You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?

The standardization of world culture, with local popular or traditional forms driven out or dumbed down to make way for American television, American music, food, clothes and films, has been seen by many as the very heart of globalization.