Beth Henley

My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.

I was just restless with being in school; so I went out to Los Angeles.

But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.

A nickel ain't worth a dime anymore.

I used to have nightmares when I was a little kid that I woke up prematurely and opened all the Christmas presents. And then I would be so relieved when I woke up and I realized that I hadn't done it.

Exeter was, I suspect, more crucial in my life than in the lives of most members of my class, and conceivably, than in the lives of almost anyone else who ever attended the school.