Anton du Beke

Being a competitive dancer is an expensive business - you have to buy the £2,000 or so tail suit and the shoes, and then get yourself around the world to the competitions. And there is not a lot of money to be made in competing.

It's hard to shape glass. It took me years of practice, and as a result, I've never gotten bored with it. It's difficult. Every time I come into the studio, I've got some sort of new challenge. And something that I would like to learn how to do better, and the material never disappoints me.

You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?