We're talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. starting over with accuracy. Anne Carson accuracyattemptdrag share on social
I never had much education in English poetry as such. Anne Carson educationenglishpoetry Change image and share on social
I started to learn Greek when I was in high school, the last year of high school, by accident, because my teacher knew Greek and she offered to teach me on the lunch hour, so we did it in an informal way, and then I did it at university, and that was the main thing of my life. Anne Carson accidentgreekhigh share on social
I don't read reviews and I don't know what to do with opinions, so I just lose them. They take up space, they become a process of manufacturing a persona, which I want to avoid. Anne Carson avoidlosemanufacture Change image and share on social
I mean, every thought starts over, so every expression of a thought has to do the same. every accuracy has to be invented... I feel I am blundering in concepts too fine for me. Anne Carson accuracyblunderconcept Change image and share on social
When I began to be published, people got the idea that I should 'teach writing,' which I have no idea how to do and don't really believe in. Anne Carson beginideapeople Change image and share on social
Maybe I could have been good as a drawer if I had done it as much as I did writing, but it's more scary to draw. It's more revealing. You can't disguise yourself in drawing. Anne Carson disguisedrawdrawer Change image and share on social
We participate in the creation of the world by decreating ourselves. Anne Carson creationdecreatingparticipate Change image and share on social
There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me. Anne Carson closefactgenerally share on social
I do think that something of the effect I have on people is to put everything on an edge where they're both infatuated with a kind of charmingness happening in the person or in the writing, and also flatly terrified by a revelation or acceptance of revelation that's almost happening, never quite totally happening. Anne Carson acceptancecharmingnessedge share on social