Amy Waldman

I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.

I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we?

And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.

It is only when you watch the dense mass of thousands of ants, crowded together around the Hill, blackening the ground, that you begin to see the whole beast, and now you observe it thinking, planning, calculating. It is an intelligence, a kind of live computer, with crawling bits for its wits.

Did you know there's a difference between being busy and being fruitful? Did you ever stop to think that just being busy - running around in circles all day but not accomplishing anything - is the same as wasting your time? It's frustrating to expend so much energy and time and not have any fruit from your effort!