Alice Temperley

I keep only a small edit in my wardrobe because I think it is important to keep things moving through, and I like to find out which pieces from my collections work and which could be reworked and improved.

As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.