I don't believe in a chronological way of doing things. Yoko Ono chronologicalthing Change image and share on social
I always believed that my work should be unfinished in the sense that I encourage people to add their creativity to it, either conceptually or physically. Back in the 1960s, I was calling for 'Unfinished Music,' number one, and number two, with my artwork - I was taking unfinished work into the gallery. And that's how I was looking at it. Yoko Ono 1960saddartwork share on social
I feel that my work is not in vain, that it does have a place in society, even though it may not be considered that it has a place in society - it doesn't matter. Yoko Ono considerfeelmatter Change image and share on social
I was born into a very important family in Japan. My grandfather was a descendant of the Emperor, and we were very wealthy. Yoko Ono beardescendantemperor Change image and share on social
Many of my songs were dance orientated from way back. That's because I love dance! When I hear a dance number, just hearing the first eight bars, it immediately makes my bod start moving and dancing. Yoko Ono backbarbod Change image and share on social
Reality can be elastic, and I want to see how elastic it can be, you know? Yoko Ono elasticreality Change image and share on social
In the '60s we fought for peace, when the Vietnam war was on. We were against the cops and against the politicians, and there was a lot of waving banners and all that. And I think in a way, just as they were enjoying that machoism of war, we were enjoying the machismo of being anti-war, you know? Yoko Ono 60santibanner share on social