'Minute to Win It' is a variation on a game show from the 1950s called 'Beat the Clock,' in which contestants won washing machines and fox stoles by doing such pointless stunts as catching a tennis ball in a paper cup or knocking a hat off one's wife's head with a whipped-cream spritzer. Tom Shales 1950sballbeat share on social
Like sugar and, oh - let's say the most tabloidy and gossipy reality television programs - credit is, for millions, genuinely addictive. Tom Shales addictivecreditgenuinely Change image and share on social
Tom Snyder was born to broadcast. He loved television and it loved him back. In that, he was a member of a vanishing breed, especially as narrowcasting displaces broadcasting, 'online' replaces 'on the air,' and any Tom, Dick or Mary can be monarch of a desktop domain, uplinking themselves to satellites in space. Tom Shales airbackbear share on social
Television's escapist programming naturally continues to endorse living beyond one's means as the time-tested American Way and rarely depicts families or individuals wracked by the pressures and miseries that come with excess. Tom Shales americancontinuedepict share on social
Tom Snyder was big enough to fill the night with talk and his own persona. The Snyder we saw on TV was not a replica of the real guy; it was the real guy. Tom Shales bigfillguy Change image and share on social
Late-night television is like the cereal aisle in the supermarket: too many choices. Also, too many 'different' brands that really aren't different at all. Tom Shales aislebrandcereal Change image and share on social
Making music on TV used to be as common as commercials. In the '60s and '70s, prime time was stuffed with variety shows headlined by such major and treasured talents as Carol Burnett, Red Skelton, the Smothers Brothers and Richard Pryor, who had a very brief comedy-variety hour on NBC that was censored literally to death. Tom Shales 70sbrotherburnett share on social