In a war without aim, you tend not to aim. You close your eyes, close your heart. The consequences become hit or miss in the most literal sense. Tim O'Brien aimcloseconsequence Change image and share on social
Vietnam was the defining event for my generation. It spilled over into all facets of American life - into music, into the pulpits, in churches of our country. It spilled over into the city streets, police forces. And even if you were born late in the generation, Vietnam was still part of your childhood. Tim O'Brien americanbearchildhood share on social
Working as a journalist, I was always tempted to lie. I felt I could do dialogue better than the person I was interviewing. I felt I could lie better than Nixon and be more concise than some random person I was covering. Tim O'Brien concisecoverdialogue share on social
If you stop loving someone, did you ever love them? If you say you're committed and later you're not committed, well, was the first thing commitment? You see what I mean? This kind of thing has always interested me. Tim O'Brien commitcommitmentinterest share on social
To be memorable and to have dramatic impact, informational detail must function actively within the dynamic of a story. Tim O'Brien activelydetaildramatic Change image and share on social
I carry the memories of the ghosts of a place called Vietnam - the people of Vietnam, my fellow soldiers. Tim O'Brien callcarryfellow Change image and share on social
In books or films, it is desirable to have a climactic battle scene, but the world does not operate in those gross dramatic terms. In Vietnam, there was a general aimlessness, not just in the physical sense, but beyond that in the moral and ethical sense. Tim O'Brien aimlessnessbattlebook share on social
I grew up with the Gene Kelly look at war. The cheerful kind of stories you tell about a horrendous war. Tim O'Brien cheerfulgenegrow Change image and share on social
The word war itself has a kind of glazing abstraction to it that conjures up bombs and bullets and so on, whereas my goal is to try to, so much as I can, capture the heart and the stomach and the back of the throat of readers who can lie in bed at night and participate in a story. Tim O'Brien abstractionbackbed share on social
The human life is all one thing, like a blade tracing loops on the ice: a little kid, a twenty-three-year-old infantry sergeant, a middle-aged writer knowing guilt and sorrow. Tim O'Brien agebladeguilt Change image and share on social