Each of my Shakespeare pieces is different to the other, but each espouses a set of philosophies common to all my theatre work. Tim Crouch commonespousephilosophy Change image and share on social
I don't want real life necessarily to be seen only as a context to heighten the deepness my work. Tim Crouch contextdeepnessheighten Change image and share on social
Theatre can be so patronising. So often, it's just proselytising for the theatre. Tim Crouch patroniseproselytisetheatre Change image and share on social
Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation should never end. Tim Crouch beginendgood Change image and share on social
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work. Tim Crouch contemporaryimportantownership Change image and share on social
In many respects, theater is still grappling with problems of reality and representation that the visual art movement realized were unimportant many years ago. Tim Crouch agoartgrapple Change image and share on social
'The Author' is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at. Tim Crouch activeauthorchoose Change image and share on social
I'm on a mission to make people aware that I'm not a solo artist. I'm sometimes challenged by the branding of Tim Crouch. Tim Crouch artistawarebrand Change image and share on social
Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivity is that it becomes hugely problematized when you start applying large sums of money to art objects. That's where it all starts to get a bit sticky. Tim Crouch applyartbite share on social
In 'Malvolio,' the audience laugh at me, and I use that laughter to crack open the question as to why they are laughing. Tim Crouch audiencecracklaugh Change image and share on social
