I'm attracted to the underrated characters. Tim Crouch attractcharacterunderrate Change image and share on social
'Malvolio' is the one show of mine that will not die. I've performed it more than 200 times all over the place. Tim Crouch diehavemalvolio Change image and share on social
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work. Tim Crouch contemporaryimportantownership Change image and share on social
It's important for me, politically, to see that theater isn't just about the powerful. Tim Crouch importantpoliticallypowerful Change image and share on social
Theatre critics have no special access to the truth. And there should be no objective truth to art. Tim Crouch accessartcritic Change image and share on social
A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else. Tim Crouch childdidacticend Change image and share on social
I'm on a mission to make people aware that I'm not a solo artist. I'm sometimes challenged by the branding of Tim Crouch. Tim Crouch artistawarebrand Change image and share on social
I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater. Tim Crouch artconceptualcreate Change image and share on social
Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivity is that it becomes hugely problematized when you start applying large sums of money to art objects. That's where it all starts to get a bit sticky. Tim Crouch applyartbite share on social
Theatre can be so patronising. So often, it's just proselytising for the theatre. Tim Crouch patroniseproselytisetheatre Change image and share on social
