When you say that you write romantic fiction, there are a lot of people who have an image in their mind of the 'bodice ripper.' It's the one term that most romantic fiction writers absolutely hate because it has no bearing on what people are writing. Susanna Kearsley absolutelybearbodice share on social
How much of our lives is consumed with meeting people, attracting people, keeping people and missing people? Usually, when everything is resolved romantically in one of my books, the characters stop talking in my head, and I stop telling the story. Susanna Kearsley attractbookcharacter share on social
I have seen and really liked the varied movie adaptations of the book, but 'Little Women' has a sprawling, richly tangled story that needs time and space to weave its magic. Susanna Kearsley adaptationbookmagic Change image and share on social
Romantic fiction, in the broader sense, can be any novel that has a love story somewhere in it. It can be a mystery or a historical novel, as long as it has this very strong romantic thread running through it. Susanna Kearsley broadfictionhistorical share on social
After the loss of my sister - my darkest time - I tried to think of the beauty she'd brought to this world and the lives she had touched and the love she had left behind. Susanna Kearsley beautybringdark Change image and share on social
Readers in general are not fond of dialect, and I don't blame them. I've read books myself that I've had to put down because sounding out every speech gave me a headache. Susanna Kearsley blamebookdialect Change image and share on social
I once walked through an exhibit in a large American museum that displayed First Nations artifacts in old dioramas, with mannequins that hadn't been changed since the 19th century. Susanna Kearsley 19thamericanartifact Change image and share on social
If it hadn't been for Bill Macdonald's book 'The True Intrepid,' I might never have found out about the women who went down to work in secret in New York for our own spymaster Sir William Stephenson in the Second World War. Susanna Kearsley billbookfind share on social
When I'm dealing with the 18th century, as I do in 'The Firebird,' the difficulty isn't only finding what a woman did, it's finding her at all. Most of the sources I'm dealing with - letters and memoirs and written reports of the day - have been written by men. Susanna Kearsley 18thcenturyday share on social
I was born in the city of Brantford, Ontario, Canada - but by the time I'd left high school, I'd moved seven times with my family, my father's engineering work taking us to places as far-flung as Bay City, Texas, and Wolnae-Ri in South Korea. Susanna Kearsley baybearbrantford share on social