Landscape is more than flat land covered by floodwater, the seeping of peat bogs, a river of liquid pewter viewed from a sentry tower. It's an influence on what a person values, what she is willing to sacrifice or argue for. Susan Vreeland arguebogcover share on social
Each time we enter imaginatively into the life of another, it's a small step upwards in the elevation of the human race. Susan Vreeland elevationenterhuman Change image and share on social
'Luncheon of the Boating Party,' owned by The Phillips Collection in Washington, D.C., has served Americans as a symbol of France and French culture, both of which I love, and is as evocative and triumphant an image as that other emissary of France, the Statue of Liberty. Susan Vreeland americanboatcollection share on social
I wanted to keep a Gothic cathedral alive in my heart. Susan Vreeland alivecathedralgothic Change image and share on social
When I was nine, my great grandfather, a landscape painter, taught me to mix colors. With his strong hand surrounding my small one, he guided the brush until a calla lily appeared as if by magic on a page of textured watercolor paper. Susan Vreeland appearbrushcalla share on social
I absorbed as many Impressionist paintings as I could, in Parisian museums and in many museums in the United States and in books, looking for clues to architecture, clothing, settings. Susan Vreeland absorbarchitecturebook Change image and share on social
I pored over art books and absorbed the placidness of Monet's garden, the sparkling color of the Impressionists, the strength and solidity of Michelangelo's figures showing the titanic power of humans at one with God, Jan Vermeer's serene Dutch women bathed in gorgeous honey-colored light... My conviction grew that art was stronger than death. Susan Vreeland absorbartbathe share on social
Coming out of the Louvre for the first time in 1971, dizzy with new love, I stood on Pont Neuf and made a pledge to myself that the art of this newly discovered world in the Old World would be my life companion. Susan Vreeland artcomecompanion share on social
I ventured into fiction in 1988 with 'What Love Sees,' a biographical novel of a woman's unwavering determination to lead a full life despite blindness. Susan Vreeland biographicalblindnessdetermination Change image and share on social
When I see Tiffany windows in churches across the United States, I get a sense of spiritual upliftment from that. Susan Vreeland churchsensespiritual Change image and share on social