Things that I do tend not to work out commercially. Stewart Lee commerciallytendthing Change image and share on social
Sometimes, I read that I'm this leftwing comic who just goes on about politics the whole time. Other times, I read that it's just surreal nonsense about crisps. It's both of those. Stewart Lee comiccrispleftwing Change image and share on social
Nothing is too controversial, but you have to think about how to do it with sensitivity. I don't try to be insensitive. I think really, really carefully about exactly what things mean and how they will affect people. Stewart Lee affectcarefullycontroversial share on social
It's difficult to write anything at the moment, as every week there's a seismic shift in world events. Stewart Lee difficulteventmoment Change image and share on social
Now I've got kids, you wouldn't want them to suffer because of a perception of you. I try to be very careful where I do things and make sure I know why I've done them. I wouldn't want them to be stigmatized. Stewart Lee carefulhavekid share on social
Anyone in the arts has had an experience of seeing someone who they related to doing something and thinking, 'I could do that.' If you have one generation where you force its hand a bit, then the next one fills in the gaps, because it's seen an example of what can be done. Stewart Lee artbiteexperience share on social
You get annoyed about things in real life, and then the tragic thing is that while you are moaning on the awful injustice and suffering of something, something grimly comic will then strike you about it, like a parasite feeding off the misery of the world. Stewart Lee annoyawfulcomic share on social
When I did 'Jerry Springer: The Opera,' there was a big fuss, largely centered around the misrepresentation of its content. Had Twitter existed then, that would have been over in a week because people who had actually seen it would have been able to get control of the story through social media. Stewart Lee bigcentercontent share on social
I am not comparing myself to great artists, but when you see conceptual artists at work, on some level it's reassuring to know they can paint figuratively. Likewise, when you listen to the '50s jazz people who do these vast solos, you buy into it more if they open by playing a tune. Stewart Lee 50sartistbuy share on social
I don't know where the ideas come from, and it's terrifying. They seem to be absolute flukes. When I was in my 20s, I'd walk around with a notebook all the time and make sure I wrote down anything that occurred to me. Now I'm just hoping that some sort of event will descend on me. Stewart Lee 20sabsolutedescend share on social