Temperament and tightness often go together. But if you're tight, you can't sing. So I have to have that tension in my body but not in my voice. Sondra Radvanovsky bodysingtemperament Change image and share on social
I'm American by birth, but I consider myself Canadian. Sondra Radvanovsky americanbirthcanadian Change image and share on social
When you do a 'messa di voce,' that means you start soft, you crescendo into loud - and then you go back to soft again. Some people call it circus tricks, but in bel canto, it's really written into the music. Sondra Radvanovsky backbelcall share on social
When I was signing up for the University of Southern California's music program, I flipped a coin to decide my major. If it came up heads, it would be flute - tails would be voice. Sondra Radvanovsky californiacoindecide Change image and share on social
Even when I'm not onstage singing, there's always music going on in my head. It's a curse and a blessing in a way - it's sitting in bed at night, trying to go to sleep, while the music keeps playing in your head - especially when you're trying to learn something new and you're trying to memorize it and get everything. Sondra Radvanovsky bedblesscurse share on social
I'm going to the gym and really taking care of myself and trying to stay fit, eating properly. Sondra Radvanovsky careeatfit Change image and share on social
I love the tragic side. I don't do 'happy' onstage. I like the dark, the disturbed. Sondra Radvanovsky darkdisturbhappy Change image and share on social
For sure, one moment really defined the path that I was to take in the future, and that was when I won the Metropolitan Opera National Council Auditions in New York in April of 1995. I had just turned 25 two days before the finals concert, and when I won, I had no idea how my life would change because of it. Sondra Radvanovsky aprilauditionchange share on social
I don't like confrontation; I just like to sing. Sondra Radvanovsky confrontationsing Change image and share on social