On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb. Siobhan Davies acceptanceaudiencebrick share on social
We need to think on a broader plane, we need to do more than we're doing. Siobhan Davies broadplane Change image and share on social
I don't start a piece knowing exactly what effect it's going to have. There is a seed of an idea that I could never articulate, right at the beginning of the piece, literally like one cell. Siobhan Davies articulatebegincell Change image and share on social
Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water. Siobhan Davies bankbitclass share on social
One of our problems is our sense of discipline - dancers have an extraordinary sense of self-discipline. Siobhan Davies dancerdisciplineextraordinary Change image and share on social
They should be working, and there isn't enough work. Siobhan Davies work Change image and share on social
We're talking about people who've already got 3-4, if not 5-6 years' experience or more, and it's about trying to help professionals develop, using us as a resource for that development. Siobhan Davies developdevelopmentexperience Change image and share on social
It's not just for its influence on us, but to know that we can play a part in it, to understand the influence that we have outside our own existence. Siobhan Davies existenceinfluencepart Change image and share on social
The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made. Siobhan Davies learnmakepiece Change image and share on social
