I'm more a percussion instrument than a dancer. Savion Glover dancerinstrumentpercussion Change image and share on social
I deal with more complex rhythmical patterns than a regular tap dancer. I even think in rhythms. Savion Glover complexdancerdeal Change image and share on social
I'm thankful I am able to continue to share the joy and the inspiration tap brings. Savion Glover bringcontinueinspiration Change image and share on social
I don't deal in terminology, I deal with expressions: colors, shapes, tones, characteristics. Savion Glover characteristiccolordeal Change image and share on social
I go for a nice walk in my neighborhood and search for vinyl, old jazz, classics. Then I go home and listen to them. Savion Glover classichomejazz Change image and share on social
It wasn't until I did a musical revue in Paris in the 1980s called 'Black and Blue,' and met the great men and women responsible for the progress of tap dance, that my relationship with the dance really began. Savion Glover 1980sbeginblack share on social
My personal style at this point in my life is more audio; it's more driven on less visual and more musicality. But because of my upbringing, my fabulous mentors and teachers that I've had throughout my dance journey or career, I also possess a style that is of the past. It was just a matter of me reaching back. Savion Glover audiobackcareer share on social
I wake up, and I'm in the zone... My performance is the continuation of my life. Savion Glover continuationlifeperformance Change image and share on social
My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.' Savion Glover affordbootbottom share on social