But I found a lot of artists at the Cedar Bar were difficult for me to talk to. Robert Rauschenberg artistbarcedar Change image and share on social
But I was in awe of the painters; I mean I was new in New York, and I thought the painting that was going on here was just unbelievable. Robert Rauschenberg awepaintpainter Change image and share on social
And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission. Robert Rauschenberg aspectblackexcite share on social
I got so I was really just sick of sculpture. Robert Rauschenberg sculpturesick Change image and share on social
And also the new excitement and variety of ways that the abstract expressionists were applying paint. You could put it on as though it were colored air and it would be painting. Robert Rauschenberg abstractairapply Change image and share on social
I think maybe chance works better in a situation like music because music exists over a period of time, and you don't maintain constantly the you can't refer back from one area to another area. Robert Rauschenberg areabackchance Change image and share on social
Every time I've moved, my work has changed radically. Robert Rauschenberg changehavemove Change image and share on social
Steichen bought my first photographs that I ever sold. He recognized the style from the school of Black Mountain. After that, it was about twenty years before I sold another photograph. Robert Rauschenberg blackbuymountain Change image and share on social
The artist's job is to be a witness to his time in history. Robert Rauschenberg artisthistoryjob Change image and share on social
