There comes a time when even icons, if they choose to do so, should be allowed to enjoy life out of the spotlight. Robert Osborne allowchooseenjoy Change image and share on social
In a business like the movie business, you're going to have a lot of people competing. Somebody is always coming behind them who wants their job. Being an actor is like being in quicksand: whatever you do, it disappears very quickly. You have to keep reminding people. Robert Osborne actorbusinesscome share on social
If I didn't have my little schedule book, I wouldn't get out of bed in the morning. Robert Osborne bedbookmorning Change image and share on social
I'm 77. The only reason I'm ever shy about it is that people tend to think of you in terms of what they think that age is. I certainly don't feel any different than I did when I was 35, and my energy seems to be more than it was then. Robert Osborne ageenergyfeel share on social
When Orson Welles was acting in 'Compulsion,' the director Richard Fleischer let him just take over and direct the courtroom scenes. To be able to see Welles - who knew more about directing than anyone - direct himself and the other actors, it was unbelievable and unforgettable. Robert Osborne actactorcompulsion share on social
There's a lot of movies that aren't all about Christmas, or where Christmas isn't the focus, but have that spirit of Christmas in them. I love that sequence in 'Auntie Mame,' where she's in the department store, sewing at Macy's, and she doesn't know how to do anything but fill out a form as 'cash on delivery!' Robert Osborne auntiecashchristmas share on social
'The Hollywood Reporter' was always in. You always got great tables. You always got great seats at screenings. You always got treated well if you were at the paper. Robert Osborne greathollywoodpaper Change image and share on social
My love of movies started when I was 7 years old, living in a small town, going to the movies all the time, and finding the people in the movies more interesting than the people in my small town. Also, at that time, it wasn't that easy to find out about movies. Robert Osborne easyfindinterest share on social
The British 'A Night to Remember' is so beautifully done and so well-constructed. Robert Osborne beautifullybritishconstruct Change image and share on social
The weird thing with 'Kismet' is that Vincente Minnelli didn't know what to do with a Cinemascope camera for that film - so he never moved it! It's like in the old days when sound first came in and was so complicated that the camera just sat there. There are hardly any close-ups in 'Kismet,' so everything's at a bit of a distance. Robert Osborne bitecameracinemascope share on social