I have an Italian comedy at the Venice Film Festival. Robert Englund comedyfestivalfilm Change image and share on social
'Nightmare on Elm Street' really lends itself to using new technologies. CGI would be a great way to exploit and embrace the dream sequences. Robert Englund cgidreamelm Change image and share on social
I sat in the barber's chair in David Miller's makeup shop, hours and hours of trial and error. While David poked at me with his crusty brushes, I grew more and more profane. That's how I started to find the voice of Freddy. Robert Englund barberbrushchair share on social
But it's mostly about pacing yourself when you do these movies. Robert Englund moviepace Change image and share on social
I was trained to serve the writer and director as an actor before I serve myself. Not to say that's gotten in my way, but that's a different way of working than most American actors work. Robert Englund actoramericandirector Change image and share on social
The modern horror audience is wise to our tricks this lets it in on the gag. Robert Englund audiencegaghorror Change image and share on social
And in Freddy vs. Jason I like when Jason and I double team Destiny's Child. Robert Englund childdestinydouble Change image and share on social
While I still do a lot of horror, it doesn't feel to me like I'm repeating myself. I like to stay interested. I'm kind of turning into one of those elder statesmen, like a Vincent Price or a Donald Pleasence. I like to think of myself alongside those guys. Robert Englund alongsidedonaldelder share on social
I've done 'Two Gentlemen of Verona,' I've understudied Iago in 'Othello.' I've done Mercutio in 'Romeo and Juliet.' Robert Englund gentlemanhaveiago Change image and share on social
