Any period is fascinating: the more ancient, the better. Ridley Scott ancientfascinateperiod Change image and share on social
'The Duellists' won Cannes, but Paramount didn't know how to release a film about two guys in bizarre breeches, waving swords around. I actually think it's a pretty good Western. Ridley Scott bizarrebreechescannes Change image and share on social
Choosing location is integral to the film: in essence, another character. Ridley Scott characterchooseessence Change image and share on social
I'm a yarn teller. My job is to engage you as much as I can and as often as I can. Ridley Scott engagejobteller Change image and share on social
The great film editor is not a cutter, he's a storyteller, right? Ridley Scott cuttereditorfilm Change image and share on social
In science fiction, we're always searching for new frontiers. We're drawn to the unknown. Ridley Scott drawfictionfrontier Change image and share on social
It's everything and I always make decisions about the cast. Ridley Scott castdecisionmake Change image and share on social
Taking a comic strip character is very hard to write. Because comics are meant to work in one page, to work in frames with minimalistic dialogue. And a lot of it is left to the imagination of the reader. To do that in film, you've got to be a little more explanatory. And that requires a good screenplay and good dialogue. Ridley Scott charactercomicdialogue share on social
I had been very impressed with the voiceover of 'Apocalypse Now,' with Martin Sheen's voice. That was a great voiceover; it really internalized the Martin Sheen character, who was essentially fairly low key and didn't say a lot during the whole movie. But he thought a lot, so I always thought that was really great. Ridley Scott apocalypsecharacteressentially share on social
'The Man In High Castle' is one of Dick's most imaginative and captivating works, and certainly one of my favorites. Ridley Scott captivatecastledick Change image and share on social