'Chef' is a dish of arroz con pollo served with a smile but not much style. The critic in the film would give it a low grade, for agreeability without ambition. Richard Corliss agreeabilityambitionarroz Change image and share on social
It is said that no star is a heroine to her makeup artist. Richard Corliss artistheroinemakeup Change image and share on social
Nixon, with his mellifluous baritone, was a great politician for radio but creepy on TV. Richard Corliss baritonecreepygreat Change image and share on social
'Noah' is about a man whose mission is to obliterate Earth's past and godfather its future. Replacing the word 'God' with 'Creator' and taking other scriptural liberties, the movie risks confusing those who don't take the Bible literally and alienating those who do. Richard Corliss alienatebibleconfuse share on social
In 'Se7en' and 'Fight Club,' Fincher proved his suave mastery of film violence; in Zodiac, his way of clarifying the many clues in a murder thriller. As he showed in 'The Social Network,' the director also knows that no wound is more toxic than a friend's betrayal. Richard Corliss betrayalclarifyclub share on social
Innocent parents might have thought that a musical cartoon version of a fairy tale would be a child's ideal introduction to movie magic. Yet Walt Disney taught moral lessons in the most useful way: by scaring the poop out of the little ones. Richard Corliss cartoonchilddisney share on social
The lumpiness of 'The Good Lie''s progression - from infancy to adulthood, and from ethnic horror to gentle social comedy to a heroic gift of freedom - proclaims the film's respect for facts and truths that can't be squeezed into a smooth narrative. Richard Corliss adulthoodcomedyethnic share on social
'Birdman' is basically 'All About Eve' - the 1950 comedy about rehearsal rivalries in a Broadway show, and another Best Picture laureate - reimagined as a Batman suicide mission. The movie couldn't be actor-ier. Richard Corliss actorbasicallybatman share on social
I came of baseball age (isn't it always around first grade?) in the last sputtering years of the A's Philadelphia tenancy. I probably plighted my fated troth in 1949, when the A's fluked into a winning season and introduced a pintsize southpaw named Bobby Shantz. Richard Corliss agebaseballbobby share on social
If the Beatles made England swing for the young, then Bond was a travel-poster boy for the earmuff brigade. The Bond films even put a few theme songs, such as Paul McCartney's 'Live and Let Die,' on the pop charts. Richard Corliss beatlesbondboy share on social
